Thursday, 18 February 2016

Check out who played Michelle in this 'Full House' reunion

Last night's 'The Tonight Show' featured a very special — and weird — Full House reunion.

What made it the so odd was Jimmy Fallon dressed up as Donald Trump playing Michelle Tanner (a role originally played by Mary Kate and Ashley Olsen) while the cast gave the presidential candidate some much-needed advice.



The entire Fuller House cast joined the scene one by one, starting off with Bob Saget as Danny Tanner and even including Andrea Barber as Kimmy Gibbler.

Everyone gives the former Apprentice host a pep talk, urging him to stay in the race all the while flat-out telling him that they'd prefer if he lost.



"You guys are right, I have to stay in the race," Donald says before delivering the best line of the sketch. "Otherwise a Clinton will be in the White House again. I mean, who wants to see something from the '90s come back in 2016?"


This is a clear zing at the Netflix revival, but given the catch phrases aplenty and hilarious tone of the entire scene, we for one can't wait until Fuller House arrives!

Kanye West calls Taylor Swift a 'fake ass' in leaked 'SNL' backstage rant – listen



An audio clip has surfaced online in which Kanye West can be heard calling Taylor Swift a "fake ass". Scroll below to listen.

West and Swift famously fell out after the rapper interrupted the star's acceptance speech at the 2009 MTV VMAs. They later reconciled, with Swift handing West the lifetime achievement prize at last year's VMAs. 

However, West caused controversy with lyrics about Swift in his song 'Famous'. The track, which features on the rapper's new album 'The Life Of Pablo', includes the lyrics: "I feel like me and Taylor might still have sex / I made that bitch famous." 

Page Six have shared an audio clip purported to have been recorded backstage ahead of West's Saturday Night Live performance last week.

image: http://nme.assets.ipccdn.co.uk/images/article_x4/GettyImages-486015870.jpg
NMEGETTY


West is heard in the clip saying: "Look at that shit, they took my fucking stage off a SNL without asking me. Now I'm bummed. That and Taylor Swift, fake ass."

"Now I ain't gonna do this, we're breaking the motherfucking internet," he says later. "I went through six years of this fucking shit. Let's get to it, bro. Let's get to it, bro."

West continues to compare himself to other great artists and historical figures: "Are they fucking crazy, bro? By 50 percent. Stanley Kubrick, Apostle Paul, Picasso... fucking Picasso and Escobar. By 50 percent, more influential than any other human being. Don't fuck with me. Don't fuck with me. Don't fuck with me," he continues. "By 50 percent, dead or alive, by 50 percent for the next thousand years. Stanley Kubrick. Ye."



A representative for West has since responded to the recording, telling Rolling Stone that West's comments were meant to be "private".

"This audio was secretly recorded while he was venting his frustration in a private moment with his team. He found out his stage design was changed and taken apart under the direction of the show's lighting director without anyone's approval."

"He spent an entire day rehearsing and a lot of hard work into the performance. Dramatic set changes were made 30 minutes before going live. It should be understandable why he was upset after being completely blindsided."

The source stated that West "was seen hugging [SNL producer] Lorne Michaels just before the goodnights and he stayed afterwards to chat with the staff and the cast, and thanked the producers on his way out the door."

Swift subtly referred to West's 'Famous' lyric during her acceptance speech at the Grammy Awards earlier this week. 

The singer picked up the award for Album Of The Year and said: "I want to say to all the young women out there there are going to be people along the way who are going to try and undercut your success or take credit for your accomplishments or your fame."
Read more at http://www.nme.com/news/kanye-west/91629#LV2ZQPht8bRsiv3y.99

University of North Carolina at Chapel Hill‬, ‪North Carolina‬, ‪Duke University‬‬


Against all odds, the outmanned and outmuscled No. 20 Duke Blue Devils hung around just long enough for a miraculous 74-73 win over No. 5 North Carolina on Wednesday night.
Marshall Plumlee dealt with foul trouble all night long. Matt Jones suffered an ankle injury midway through the first half and did not return. Brice Johnson was playing like a Player of the Year candidate who knew the whole world was watching.
And yet, the Blue Devils never fell behind by more than eight points, eventually going on a late run for a come-from-behind victory on the road against their loathed rivals, proving to both themselves and everyone else that they can beat anyone. 
Streeter Lecka/Getty Images
"I think this was the best game we've played this year," said Brandon Ingram to ESPN's Shannon Spake after putting up 20 points and 10 rebounds against the team he might have suited up for if not for concerns about the NCAA's investigation of North Carolina.
It was an outstanding win for the Blue Devils' psyche and an even better one for their NCAA tournament resume. Once rumored to be on the bubble, as Sports Illustrated's Seth Davis noted, they have won back-to-back games against RPI Top 10 teams and now have a grand total of 12 RPI Top 100 wins with no particularly bad losses.
If they can extend this five-game winning streak to six with a road win over Louisville on Saturday, Duke might be back in the conversation for a No. 1 seed on Sunday.
(The Tar Heels, on the other hand, are quickly losing hope of a spot on the top line. With three losses in the last five games and only one RPI Top 35 win all season, the resume isn't looking all that great. Neither was Wednesday night's play by just about everyone other than Johnson.)
But Duke's celebration and thoughts of upcoming opportunities quickly turned sour as ESPN's cameras made sure to lock onto Jones jumping up and down on one foot at the final buzzer before also showing him hobbling off the court on crutches.
As Nicole Auerbach of USA Today reported, Jones wasn't exactly walking without a limp after the postgame festivities, either:

Ronaldo silences critics on Zinedine Zidane's European debut for Real Madrid


Zinedine Zidane made a winning start to his managerial career in the Champions League as a 2-0 victory in the Italian capital put Real Madrid firmly in control of their last-16 clash against Roma.

A game that had been cagey in the first half opened up in the second and Cristiano Ronaldo - subject of pre-match criticism for his goalscoring record away from home - broke the deadlock in the 57th minute.

Both teams had a number of chances after that but it was Real who took advantage, with 22-year-old substitute Jese scoring his first Champions League goal four minutes from time.
The visitors enjoyed the best of what chances there were in the first half but they were largely restricted to long-range efforts.
The closest Real came was a dipping volley from the lively Marcelo in the 33rd minute that would have been one of the best goals the competition has witnessed had the ball dropped the other side of the post.
Roma threatened sporadically and might have taken the lead right at the end of the half but for a superb last-ditch tackle from Raphael Varane to deny Stephan El Shaarawy.
El Shaarawy broke through again early in the second half only to be foiled by goalkeeper Keylor Navas, and moments later Ronaldo put Real ahead.
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Marcelo played in the forward down the left and he cut inside before unleashing a shot that was deflected past Wojciech Szczesny.
Roma pushed forward in search of an equaliser, and they nearly found it in the 72nd minute but William Vainqueur's volley flew just past the post.
The Italians were leaving lots of space at the back and both Ronaldo and James Rodriguez missed the target with free headers before Szczesny denied Karim Benzema.
At the other end, substitute Edin Dzeko blasted into the side netting from a tight angle, while Dani Carvajal was extremely fortunate to get away with a rash challenge on Alessandro Florenzi in the box.
Zidane, who scored the winning goal for Real in the 2002 Champions League final, sent on Jese for James in the 82nd minute and four minutes later the striker drove towards goal before firing beyond Szczesny into the bottom corner.



‪‪Real Madrid C.F.‬, ‪Cristiano Ronaldo‬, ‪UEFA Champions League‬, ‪A.S. Roma‬‬

Mob Wives' reality star Angela 'Big Ang' Raiola has died


Angela "Big Ang" Raiola, the raspy-voiced bar owner who gained fame on the reality TV series "Mob Wives," died early Thursday, nearly a year after being diagnosed with throat cancer. She was 55.
Raiola died at a New York City hospital while surrounded by friends and family, said series producer Jennifer Graziano.
A statement posted from Raiola's Twitter account said she had "peacefully ended her battle with cancer."



"YOU (Her fans) were some of the most special people in her world, and she loved you immensely," said the statement. "Thank you for your love, prayers, and unconditional support of Angela right to the end."
Raiola was initially diagnosed in March 2015 with throat cancer that spread to her brain and lung.
Even as she fought the disease, the native New Yorker remained the candid, colorful figure that viewers came to know on VH1's "Mob Wives" and her two sequels.
"You can call me Angela. I'll call you handsome," she told TV host Dr. Mehmet Oz during a pre-taped appearance that aired on his "Dr. Oz" show Feb. 16.
Raiola, nicknamed Big Ang for her nearly 6-foot height, told Oz she was trying to keep her spirits up as chemotherapy and radiation failed to check the disease. She had already undergone several surgeries, and her trademark flowing black hair was gone, replaced by a short, blond cut.
"I look at my kids and my grandchildren and I know how much they need me," said Raiola, who lived with her daughter Raquel's family on New York's Staten Island, where Raiola ran the Drunken Monkey bar.
She wasn't technically a mob wife: Raiola's inclusion on the cable show's second season in 2012 came courtesy of her uncle, the late Salvatore "Sally Dogs" Lombardi, a reputed captain of the Genovese crime family.

Wednesday, 17 February 2016

Paul McCartney DENIED at Grammy Party





“How VIP do we gotta get?!” Upon being refused entry to the rapper Tyga’s Grammy aftershow party, an indignant Paul McCartney peers at the faces of his companions, baffled. The doorman, with a doorman’s unique and innate infallibility, won’t budge. Paul wrote Eleanor Rigby. He wrote Yesterday – while actually being asleep, for goodness sake.
Never mind that Macca had turned up at the wrong party – he was supposed to be three miles down the road at Mark Ronson’s, presumably equally swanky, after-party. And it is certainly too little too late for Tyga to pass the blame on to overzealous doormen, claiming he would have been more than happy to have invited the Beatle in. This was the world’s greatest living songwriter, with a net worth of £820m, but on Monday night none of it mattered. Paul was just a 73-year-old man who, for the first time in at least 54 of those years, was finding that his best chance of getting in might be to nip behind the bins and change jackets with one of his mates.
Surely this is it – the final straw for “the club” as a desired final destination on any night out. The rest of us have been putting up with “Your name’s not on the list” or “No trainers, mate” for decades, but Macca? No. Not him. Clubs have gone too far this time. Yes, his situation was different from ours: his mates were Beck and Foo Fighters’ Taylor Hawkins as opposed to two idiots who sank a bottle of pinot each because “Wethers is so cheap you’re sort of losing money if you don’t”, and the party he was trying to get into was Tyga’s, not Tiger Tiger. Nevertheless, if even the man who redefined rock with Helter Skelter isn’t good enough to get in to a club, the time has surely come to conclude that clubs are not good enough for us to actually want to get in to.
I’m not talking about dance connoisseurs’ nightclubs here – ones where “club” is used as a verb. They’re different. They’re fine – full of happy, dancing people there to enjoy music. No, I mean the inexplicably snooty, cocktail-y ones. They play Jason Derulo a lot. Or Drake. Blasted so loud it renders conversation impossible without yodelling into your victim’s ear – the point, incidentally, at which they discover a damp waft of saliva down the ear canal does little to reduce the agony of a perforated eardrum. Sometimes you can get a pint in these places, but chances are you’ll pay full-pint price for a bottle, which – last time I checked – is just over half a pint. Utter, meritless nonsense.
Pub licensing laws have changed and clubs no longer have a monopoly on wee-hours boozing. So what exactly is the point of them? Why are people still queueing up for 40 minutes to get into one, needing to urinate so fiercely that all the capillaries in their eyes have burst?
People go to clubs on the pull, for one thing. This is fair enough, understandable: clubs remove any possibility of conversation and promote boozily confident dancing – handy for people, let’s say, whose best feature is their looks. Clubs also often have an enticing, velvet-roped-off VIP area, inviting you to wonder what exclusive delights might lurk therein. Let’s put this one to bed right now – I’ll tell you what lurks therein: my mate sneaked into one in Ibiza once and all she did was snog Dean Gaffney and nick Michael Greco’s hat. The best you can hope for here is a fleeting appearance by Dane Bowers or Arg from Towie. You don’t imagine you could have a prolonged debate about the best book in the His Dark Materials trilogy with either of them. In fact, you get the distinct impression that, whatever you said, eventually one of them would end up crying.
Clubs are rubbish. They were rubbish when we were all 18, and they’re rubbish now. They’re a relic of a time when people wanted a fleeting taste of D-list celebrity for the price of a thrown-together mojito. Now we’re older and wiser, and paying £8 to get into a place where the staff treat you like a minor irritant seems wildly unnecessary. It’s time the club, as a notion, died, and we all found a half-decent late-opening pub instead. The over-zealous doorman at Tyga’s after-party undoubtedly saved Paul McCartney from an awful, awful night.
My local pub stays open until dribble o’clock. It has no DJ, but a vinyl deck with a panoply of records for use by anyone, many of which have Paul McCartney on them. There’s dancing. Darts. Chatter. A smoking gazebo. It has two fat, non-judgmental dogs in it, and a cat that sleeps in the nut tray. And, most importantly, because it’s not 1996, it has no doorman with a face like the back of a fist telling you your money’s not good enough because your shoes are wrong and he doesn’t like your hairdo.
If you’re in the area, Macca, walk past the clubs and come down for a pint. Join us in 2016. Mine’s a pale ale.

George Gaynes




    George Gaynes was an American singer, actor and comedy performer of stage, screen and television, voice artist and World War II veteran.Wikipedia
    BornMay 16, 1917, Helsinki, Finland
    SpouseAllyn Ann McLerie (m. 1953–2016)